美的禹洲·大河艺术馆，江苏/建筑设计

2021-12-23 10:48:39建筑设计,文化体育,商业建筑 , 现代风格

项目标签

项目名称

美的禹洲·大河艺术馆 THE GRAND CANAL EXPERIENCE

设计团队

PTA上海柏涛 Shanghai PTArchitects

文章分类

建筑设计-文化体育

设计公司

PTA上海柏涛 Shanghai PTArchitects

项目地址

中国江苏省扬州市邗江区

项目规模

9432平方米

本案位于扬州邗江区，建筑坐落于运河北路与古运河交汇处，地块南侧拥有扬州少有的东西向运河流域，河面宽达80米。我们利用 600 米运河风光带和 400 米私享归家路，串联起一公里河居世家的生活画面，犹如一幅《扬州河居图》，在河边徐徐展开。

The project is located in Hanjiang District, Yangzhou. The building is located at the intersection of Yunhe North Road and the ancient canal. The south side of the plot has a rare East-West canal basin in Yangzhou, with a river width of 80 meters. We use the 600m canal scenery belt and the 400m private home road to connect the life picture of a one kilometer River family, just like a picture of Yangzhou River, slowly unfolding along the river.

设计最大程度地考虑了建筑的“在地性”。在空间规划上，我们采用扬州特色的园林设计手法，将艺术馆整体动线分成五个部分，打造壹门-贰园-叁堂-肆水-伍运的画意空间。我们希望对每个空间与建筑关系的细致刻画达到步移景异、引人入胜的观感效果。

The design considers the "local character" of the building to the greatest extent. In terms of spatial planning, we use the garden design method with Yangzhou characteristics to divide the overall dynamic line of the art museum into five parts to create a pictorial space of one gate - two gardens - three halls - four waters - five games. We hope that the detailed depiction of the relationship between each space and architecture can achieve a step-by-step and fascinating visual effect.

建筑面向运河展开，与河形成对话的关系，运河的波浪堆叠前行，拍打于建筑之上，形成五片前后错位、形态各异的浪型立面。与建筑玻璃体量交错咬合，虚实相生，让建筑与场所更加紧密地联系在一起。

The building faces the canal and forms a dialogue relationship with the river. The waves of the canal stack up and beat on the building to form five wave shaped facades with different shapes. It is intertwined with the volume of the building glass, and the virtual reality coexists, making the building and the place more closely linked.

主立面由铝板格栅排列而成，通过重复的竖向线条，演绎出传统江南建筑的坡顶斜瓦。弧线元素在整体设计一以贯之，是构成整个建筑形象最重要特质的符号。建筑的灯光照明则尽可能地烘托建筑特色，形成强烈的韵律感。在夜幕降临，华灯初上，建筑仿佛又换了一幅模样，立于河畔。

The main facade is arranged by aluminum plate grids. Through repeated vertical lines, the sloping tiles on the slope top of traditional Jiangnan buildings are deduced. The arc element is consistent in the overall design and is the most important symbol of the entire architectural image. The lighting of the building sets off the architectural features as much as possible, forming a strong sense of rhythm. As night fell and the lights began to shine, the building seemed to have changed its appearance and stood by the river.

立面上近十二米高的金属格栅幕墙是整个设计的一大难点，如何让金属杆件挺拔而又干净显得尤为重要。我们将金属杆件进行分类，采用模数化设计保证金属杆件尽可能规整，安装上使用套管固定的方式，减少背后固定的横梁数量，使格栅达到轻盈通透的效果。值得一提的是，我们借用扬州书印文化，在杆件的端头用金属刻印收尾，让建筑美于形体，惊于细节。

The 12 meter high metal grille curtain wall on the facade is a major difficulty in the whole design, and how to make the metal bars straight and clean is particularly important. We classify the metal rods, adopt modular design to ensure that the metal rods are as regular as possible, and use sleeve fixation for installation to reduce the number of beams fixed at the back, so as to achieve the effect of light and transparent grille. It is worth mentioning that we borrowed the Yangzhou calligraphy and seal culture and used metal engraving at the end of the rod to make the building more beautiful than the shape and more amazing than the details.