金属勺子铺道，法国 / Collectif Œuvrer
一茶匙，在人们的集体想象中，象征着享乐和贪欲。与甜点相结合，它成为每个人在用餐结束时所期待的完美时刻。这无疑是整场用餐的高潮。
A teaspoon, in collective imagination, is a symbol of pleasure and gluttony. Combined with dessert, it is the perfect and gourmet moment everyone is waiting for at the end of the mealtime. The highlight of the show, in a way!
▼项目概览，overall of the project
这个装置提议将日常生活中的这一物品转化为建筑材料，或者更确切地说，是用来改造院子地面的发展材料。Collectif Œuvrer的装置探索了“铺路”这一主题。
The installation proposes to divert this object from everyday life to make it a construction material, or rather a development material that will sublimate the floor of the courtyard. Collectif Œuvrer’s installation proposes to work on the theme of paving.
▼将日常生活中的物品转化为建筑材料，divert object from everyday life as construction material
卡拉德The calade
卡拉德，又被称为“立地”，是一种古老的技术，广泛应用于法国南部和意大利多个地区。这种铺设技艺利用鹅卵石或干石，垂直或边缘朝上地排列，并通过紧密的拼接，创造出适合车辆通行的道路，同时也有助于水流的排泄。石块通常是干铺在土堤或沙地上，紧密地按压在一起，形成稳固的结构，空隙则用较小的石块填充。
The calade, or “standing ground”, is an ancestral technique widespread in several regions of the South of France and in Italy. This technique of paving on the ground, composed of pebbles or dry stones laid vertically or on the edge, and tightened together, made it possible to create a road suitable for vehicles while facilitating the flow of water. The stones were generally laid dry, on embankment or sand, tightly pressed against each other so as to hold each other together. The remaining gaps were filled with smaller stones.
▼勺子“立地”，divert object from everyday life as construction material
该装置提议通过用一种不寻常的物品替代石块，重新审视“卡拉德”铺设技艺：金属勺子。
The installation proposes to revisit the know-how of “calade” paving by replacing the stone with an unusual object that feeds curiosity: a metal spoon.
▼灵感源自勺子弯曲优雅的形状，inspired by the curved and elegant shape of spoons
一个由金属物品铺成的小道被安置在院子里，图案灵感源自勺子弯曲优雅的形状，并受到令人惊叹的萨巴捷-埃斯佩兰酒店建筑设计（Fabre博物馆，蒙彼利埃）的启发。通过扭曲这一日常且熟悉的物品，并将其作为建筑材料，装置的目的在于提升院子的地面，并突出这一濒临消失的技艺。从象征意义上讲，正是贪欲引导我们走向对建筑的愉悦和发现。
A paved path of metal objects is installed in the courtyard, with various patterns inspired by the curved and elegant shape of spoons, and by the amazing Hôtel Sabatier d’Espeyran architectural design (Fabre Museum, Montpellier). By twisting this daily and familiar object, and making it a construction material, the installation aims to sublimate the courtyard’s floor and to highlight this endangered technique. Metaphorically, it is therefore greed that literally leads us to the pleasure and discovery of architecture.
▼人们在院子里参观，people in courtyard
▼引导人们走向对建筑的愉悦和发现，leads us to the pleasure and discovery of architecture
勺子通过沙子固定在原位，并被放置在木结构中，方便装置的组装与拆卸。装置通过实验不同的排列方式，探索勺子的质感（哑光、光亮等）以及勺子的不同尺寸（大勺子和小勺子）。
The spoons are held in place by sand, and placed in a wooden structure to facilitate assembly and removal of the installation. Different devices are experimented with from the arrangement of the spoons, their textures (mat, shiny…), and their different sizes (large and small spoons).
▼方便装置的组装与拆卸，facilitate assembly and removal of the installation
它们的精确排列形成了地面上的美学图案，这种图案将唤起这种独特建筑风格的回忆。勺子像金属鳞片一样在阳光下闪闪发光，也让人联想到蒙彼利埃的地中海特色。过去，制作“卡拉德”时，使用了从采石场废料到建筑工地残余材料、拆迁遗留物等各种当地材料。现在，金属勺子的再利用使我们有机会重新审视并解读这一渐渐消失的传统，同时也突出再利用这一原则。
Their precise arrangement allows them to form an aesthetic pattern on the ground that will recall this particular architecture. The spoons will form like metal scales glittering under the effect of the sun, also recalling the Mediterranean character of the City of Montpellier. In the past, to make a “calade”, different local materials were used, from quarry waste to construction site remains and materials from demolitions. The reuse of metal spoons will now make it possible to question and reinterpret this disappearing tradition and to highlight the principle of reuse.
▼金属勺子的再利用，reuse of metal spoons
▼技术图纸，technical sheets
