Abby Kortrijk艺术中心，比利时 / Barozzi Veiga + Tab Architects

2025-12-04 16:59:02建筑设计,文化体育,文化建筑 , 现代风格

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Abby Kortrijk项目延展并改造了具有重要历史价值的Groeninge修道院建筑群，将其转变为一个用于特定场地的临时展览和公共活动的艺术空间。Abby Kortrijk是一种全新的博物馆形态：它对所有人开放、具有高度的可变性，位于科特赖克市中心Begijnhof公园中一个供公众使用的城市生活场所。

The project for Abby Kortrijk extends and transforms the historically significant complex of Groeninge Abbey into an arts space for site-specific temporary exhibitions and public events. Abby Kortrijk is a new kind of museum: a place for everyone, open and versatile, an urban living space in the wonderful setting of Begijnhof Park in the centre of Kortrijk.

▼位于Begijnhof公园中，In the setting of Begijnhof Park

设计聚焦于对“身份”这一主题的广义解读，将延续、修复与转化等概念谨慎平衡，从而为这一整体重新发现一种深深扎根于现存建筑的新身份。

The design focused on a broad interpretation of the theme of identity, where concepts like persistence, restoration and transformation have been carefully balanced to rediscover a new identity for the ensemble, deeply rooted in the existing.

▼建筑概览，Building overview

方案揭示了修道院礼拜堂与宿舍原有结构中极为美妙的空间特质，恢复了原有庭院，并新增了一个先进的地下展厅。每一个“空间”都拥有不同的氛围，以各自独特的方式容纳艺术与共享活动。

The proposal reveals the beautiful spatiality of the original structure of the abbey chapel and dormitories, restores the former courtyard and adds a state-of-the-art subterranean exhibition space. Each of these ‘rooms’ has a different atmosphere, creating space for art and shared activities in their own specific ways.

▼建筑立面，Building facade

▼礼拜堂近景，Chapel close view

地下展区位于整体建筑之下，而新建的公园展馆以其鲜明的存在感与历史建筑展开对话，无论是在形态上呼应其坡屋顶的垂直感，还是在正交的布局逻辑上。新建筑以可辨识的姿态融入现有建筑语境，成为延续城市构成历史的又一座展馆。其立面覆以深色砖材，使其作为历史建筑群中独立要素的特质更加突出。

While the exhibition area is located below the complex, the distinctive presence of the new park pavilion establishes a dialogue with the historic structures, both through its form, which evokes the verticality of their sloping roofs, and through the logic of its orthogonal arrangement. The new building comes as a clearly recognizable element in dialogue with the existing architecture; one more pavilion that continues the history of the urban composition. Its facades, covered in dark-coloured brick, give it the character of an independent element within the historical complex.

▼展馆远观，Pavilion view from a distance

▼展馆近景，Pavilion close view

新的建筑介入克制而严谨，通过细腻且深思熟虑的方式处理，使新旧之间取得平衡，在强化场地历史的同时，也为未来提供了新的空间。

The new architecture is restrained and reasoned, defined by subtle and well-considered interventions that create a balance between the new and the existing, enhancing the history of the site and providing new spaces for the future.

▼展馆立面覆以深色砖材，Pavilion facade covered in dark-coloured brick

设计介入说明 Description of the intervention

从城市设计角度来看，项目移除了并非源自修道院原始布局的部分构筑物，并新增一座展馆，其正交布置于现有体系之上，并朝向Begijnhof公园探出。此举重新界定了原有回廊，并创建了从Groeningestraat通向公共花园的路径。

From an urban design perspective, the project removes elements that were not part of the original abbey layout and introduce a new pavilion, positioned orthogonally to the existing composition and peeking out towards the Begijnhof Park. This intervention redefines the original cloister and creates a passage from the Groeningestraat to the public garden.

▼展馆入口，Pavilion entrance

▼展馆窗户，Pavilion window

展馆通过原宿舍建筑与整体相连，内部设有酒吧与餐厅。其倾斜的立面营造了友好、庇护性的氛围，同时最大化内部空间。在这里可以布置一张长桌，呼应修道院中集体食堂的传统。

The pavilion, connected to the complex through the former dormitory building, houses a bar and restaurant. Its inclined facades create a welcoming, sheltered atmosphere while maximizing space inside. Here a long table can be arranged, referencing the communal refectory of an abbey.

▼展馆内部，Pavilion interior

对原宿舍建筑的介入极为克制，原有的窗户、天花板与红陶地面得到了修复。同时新增了一整面长展柜，用以展示科特赖克市的馆藏作品，也邀请艺术家与该收藏展开创作互动。

Minimal interventions were made to the former dormitory building, restoring the original windows, ceiling, and red terracotta floor. A long display case was added to showcase works from the city of Kortrijk, inviting artists to engage with the collection.

▼展廊，Gallery

修道院作为艺术之家，访客可以在其各个房间中体验艺术。从宿舍到展馆，公众无需购票即可欣赏这些展品。宿舍上方是会客室，与原礼拜堂相邻。

The abbey serves as an art house, where visitors experience art throughout its rooms. From the dormitory to the pavilion, one can enjoy the exhibits without needing a ticket. Above the dormitory is the parlour, adjacent to the former chapel.

▼室内望向庭院，View from interior towards the courtyard

▼走廊，Corridor

原礼拜堂是构成中的最古老的建筑之一。通过拆除附加的连廊和夹层，项目恢复了礼拜堂原有的庄严尺度；在没有中间楼层的情况下，这座 16 世纪的建筑重新获得其最初的氛围，成为一个新的垂直展览空间。

The former chapel is one of the oldest elements in the composition. By removing the existing attached corridors and mezzanines, the project reinstates the abbey’s original grandeur; without intermediate floors, the sixteenth-century building regains its original atmosphere and provides a new vertical space for exhibitions.

▼礼拜堂室内，Chapel interior

▼展览陈列，Exhibits on display

为了避免对公园造成额外负担并给现有建筑留出呼吸空间，项目在地下增设展厅。这些中性的、先进的博物馆级展览空间提供了灵活的展示画布。礼拜堂、宿舍与亭阁为项目带来历史层次，而地下的“白盒子”则提供了与其互补的中性背景。多样且协调的空间序列具备清晰的内部逻辑与功能性。

To avoid overburdening the park and to give the existing building breathing space around, the project includes an underground expansion for exhibition areas. These neutral, state-of-the-art museum-quality rooms, providing a flexible canvas for exhibitions. The chapel, dormitory, and pavilion buildings bring historical richness to the project, whereas the ‘white boxes’ below offer a neutral space that complements this historic context. The sequence of spaces, diverse yet cohesive, is functional with an internal logic.

▼窗户细部，Window details

原有立面在尊重其图纸的前提下被修复。至于新的构筑，亭阁的立面采用由回收建筑材料制成的定制砖块，构成具有纪念性与表现力的结构，强化了其在城市肌理中的存在感。

The original facades were restored respecting their original drawing. As for the new element, the pavilion’s facade features custom-made bricks—made of recycled construction components—that conform a monumental and expressive structure, reinforcing its presence in the urban fabric.

▼场地平面图，Site plan