Joyce Wang Studio位于拉斯维加斯大道威尼斯度假区的中心地带，为Mott32拉斯维加斯奢华的东西方设计揭幕。这两个文化融合在一起，我们工作室的愿景是庆祝Vegas地区的享乐主义，同时向中国帝国主义致敬，迎合香港原始莫特32的纽约工业主义美学。

Located in the heart of the Venetian Resort on Las Vegas’ Strip, Joyce Wang Studio unveils the opulent, East-meets-West design of Mott32 Vegas.  Seamlessly fusing the two cultures, our Studio’s vision was to celebrate the hedonism of the Vegas location whilst paying homage to the Chinese imperialism meets New York Industrialism aesthetic of the original Mott 32 in Hong Kong.

吧台上方的雪花石膏双折叠式屏风可灵活打开和屏蔽赌场空间。沿立面布置半圆形宴会式座椅，座垫上有罗纹皮革细节，座垫上有马海毛软垫。

Alabaster bi-folding screens above the bar ledge allows for the flexibility of opening up and screening off the space from the casino. Semi-circular banquettes seating are arranged along the facade, with ribbed leather details at the back cushion and mohair upholstery on the seat cushion.

酒吧和休息室区域的悬挂式顶棚由两层数百根拉伸铜缆构成，并与滑轮机构上的吊灯集成。戏剧性的结构设置了场景，并推动了主酒吧区的氛围。

The suspended canopy at the Bar & Lounge area is made of two layers of hundreds of stretched brass cables integrated with pendant lighting on a pulley mechanism. The dramatic structure sets the scene and drives the ambiance of the main bar area.

一个半私人休息室通过传统的玛瑙旋转屏幕连接到“吊杆吊杆房”，可以打开屏幕来扩展戏剧性的空间。屏风让房间呈现出明亮的色彩，并作为半私人空间的背景，增加了空间的烟雾和镜子效果。

A semi-private lounge connects to the ‘Boom Boom Room’ via traditional onyx pivoting screens which can be opened up to extend the dramatic space. The screens let in the vibrant colour of the Boom Boom Room and act as a backdrop to the semi-private space, adding to the smoke and mirrors effect of the space.

抵达后，宾客们会被主餐厅入口的电影般设计所吸引，其悬垂的金属链式枝形吊灯被高水平的钢制面板所包围，进一步突出了引人注目的高天花板。枝形吊灯标志着亲密用餐区的中心点。悬挂在香港、温哥华和现在的莫特32拉斯维加斯场馆；吊灯的连锁语言赞扬了香港作为渔村的卑微起步。

Upon arrival, guests are absorbed by the cinematic design of the main dining entrance with its overhung metal-chained chandelier, cocooned by the sweeping steel panels at a high level which further emphasises the dramatically high ceiling. The chandelier marks the centre point from which the intimate dining areas emanate. Suspended over the Hong Kong, Vancouver and now Mott 32 Vegas venues; the chandelier’s chain language pays tribute to Hong Kong’s humble beginnings as a fishing village.

“我们通过引用香港和温哥华的前辈来接近内饰，然后重新想象它们。拉斯维加斯和它臭名昭著的放纵和比生活更大的文化使我们创造了一个充满欢乐但又充满敬意的内部。”

“We approached the interiors by referencing its Hong Kong and Vancouver predecessors and then reimagining them. Las Vegas and it’s infamous indulgent and larger-than-life culture led us to create a playful yet reverent interior.” 

高度定制的室内设计元素丰富多彩，迎合了维加斯人群更大胆的胃口。这些定制包括羽毛枝形吊灯；轮盘赌餐桌；动画别针女孩霓虹灯标志；餐桌上覆盖着古董中国硬币，所有这些硬币都是为拉斯维加斯莫特32定制设计和制造的。

The highly customised interiors have elements that are tongue and cheek, catering to the more daring and bold appetite of the Vegas demographic. These customisations include a Feather chandelier; roulette dining table; animated pin-up girl neon signs; and dining table tops covered in antique Chinese coins, all of which are bespoke designed and fabricated for Mott 32 Las Vegas.

我们探索霓虹灯实质性地架桥两座城市，香港和Vegas，试验超越其共享的传统标志使用历史，并重新解释它以一种更具建筑性、意想不到的方式。霓虹灯的光芒渗透到整个空间，为餐厅和酒吧区增添了活力。

We explored neon to materially bridge the two cities, Hong Kong and Vegas, experimenting beyond its shared history of traditional signage use and reinterpreting it in a more architectural, unexpected manner. The glow of the neon lights infiltrates the space and adds energy to the dining and bar areas.

Joyce Wang工作室在拉斯维加斯威尼斯度假酒店打造了中国概念车的最新前哨站。中餐厅概念莫特32在拉斯维加斯威尼斯度假酒店的宫殿庆祝了它在北美的首次亮相，其设计来自伦敦和香港的practice Wang Studio。

Joyce Wang Studio crafted the Chinese concept’s latest outpost at the Venetian Resort Las Vegas.Chinese restaurant concept Mott 32 has celebrated its North American debut at the Palazzo at the Venetian Resort Las Vegas with a design from London- and Hong Kong-based practice Joyce Wang Studio.

这家餐厅由餐饮集团Maximum Concepts发起，它的名字来源于曼哈顿第一家中国食品杂货店的纽约地址，该杂货店于1851年首次开业，是中国城的种子。在香港和温哥华的莫特32个地点的设计上，该公司注入了纽约工业美学和中国古典元素的空间。向罪恶之城致敬的包括由复古轮盘赌轮精心打造的餐桌和装饰着羽毛装饰的枝形吊灯，它们营造了一种好玩的地方感。

Launched by restaurant group Maximal Concepts, the eatery draws its name from the New York address of Manhattan’s first Chinese grocery, which first opened in 1851 as the seed that would grow into Chinatown. Expanding on the design of Mott 32 locations in Hong Kong and Vancouver, the firm infused the space with a New York industrial aesthetic and classic Chinese elements. Nods to Sin City include dining tables crafted from vintage roulette wheels and chandeliers accented with feather boas that establish a playful sense of place.