山地节日中的临时装置 / atelier VRAC

2025-02-13 15:42:54景观设计装置设计景观设计现代风格

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“It’s oh so quiet”是由Conservation Carpathia在2024年Făgăraș Fest期间举办的创意竞赛成果，该节日在罗马尼亚Sebeșu de Sus举行。这座临时装置坐落于法加拉什山脉（Făgăraș Mountains）的自然景观之中，竞赛围绕两个核心主题展开：一是强调保护这一独特自然环境的紧迫性，二是倡导一种负责任的设计方法，即利用本地自然资源，实现可持续构建。

The temporary installation “It’s oh so quiet” is the result of an ideas competition organized by Conservation Carpathia during the Făgăraș Fest, held in Sebeșu de Sus, Romania, in 2024. Nestled within the landscape of the Făgăraș Mountains, the competition highlighted two essential themes: the urgent need for the conservation of this unique natural environment and the importance of a responsible approach to design by utilizing local natural resources.

▼外观，exterior view

▼立面，elevation

装置的选址略微远离主节日区，宛如节日与自然之间的桥梁，成为周围山地景观的有机延伸。其朝向山脉的布局鼓励访客暂时脱离节日的喧嚣，在此驻足片刻，沉思静观，或自发地与环境产生互动。

Positioned slightly apart from the main festival, the installation bridges the event and its surroundings, functioning as an organic extension of the natural landscape. Oriented toward the mountains, it encourages visitors to step away from the bustling festival and engage in moments of retreat, contemplation, or spontaneous interaction.

▼由干草捆作为模块化构件，

hay bales are used as modular elements

▼外部与内部框架采用本地木材制成，

the exterior and interior frames are made of local wood

在节日期间，这座装置逐渐演变为活动中的一处亮点，吸引众多访客驻足。它不仅成为人们聚集交流的多层观景座席，也提供了遮荫休憩的空间，同时作为探索与冒险的游乐场地，甚至在夜晚化作一个私密的对话场所，承载着人与人之间的深度交流。

Over the course of the festival, the installation evolved into a prominent feature of the event. It became a lively focal point for festival-goers, serving as tiered seating for relaxed gatherings, shaded areas for rest, a playground for adventurous exploration, and even a setting for intimate nocturnal conversations.

▼框架顶部设有太阳能照明球，

the top of the frame is equipped with solar lighting balls

▼灯球细部，details of the light

装置的两面呈现出截然不同的功能：外立面形成了一个边界，使其相对独立，并以精准而富有节奏感的结构保护着内部空间。而内部空间则以面向山脉的露天剧场形态展开。这种双重朝向的设计，使人们能够静静地观察自然，在未加言说的氛围中感受一种期待感。访客可以通过两种方式与装置互动：一是沿着角落处的楼梯攀登外墙，二是循着堆叠的干草阶梯缓步而上，以沉稳的步伐逐级登临。

The two faces of the installation serve distinct purposes: the two-sided façade establishes a threshold, creating a sense of isolation. It remains solid, protecting the interior with its precise, rhythmic structure. The interior, on the other hand, is shaped like an amphitheatre oriented toward the mountains. This dual orientation enables quiet observation without overt expression, fostering a sense of anticipation. One way to interact with the installation is to climb the outer wall using one of the two corner staircases, while another invites visitors to ascend step by step along the haystack amphitheatre, taking deliberate, slow steps.

▼面向山脉的露天剧场形态，an amphitheatre oriented toward the mountains

▼人与装置的互动，interaction between people and devices

装置主要由干草捆作为模块化构件构成，其灵活易操作，并构筑出整个阶梯式剧场。支撑干草捆的外部与内部框架则采用本地木材制成，使结构更加稳固且符合生态可持续原则。此外，装置在夜晚巧妙融入环境，利用太阳能照明球体点缀夜色，为山地景观增添一抹柔和的光辉。

Hay bales are used as modular elements, easy to handle and forming the entire stepped structure of the amphitheatre. The outer and intermediate inner frameworks supporting the hay bales are constructed from locally sourced wood. The installation subtly enriches the nocturnal landscape with the addition of solar-powered luminous spheres.

▼人与装置的互动，interaction between people and devices