予里山人郑州概念店设计 / 介介工作室

2025-05-30 14:45:49建筑设计,休闲娱乐,商业建筑 , 现代风格

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24年的秋天，我们接到来自本土香薰品牌方“予里山人”的邀约，在郑州的金融岛上营造了一个“湖畔洞天”。

In the autumn of ’24, we received an invitation from the local fragrance brand “Wild Elf” to create a “Lakeside Celestial Grotto ” on Jinrong Island in Zhengzhou.

▼湖畔洞天，Lakeside Celestial Grotto

一、自然的空间意向 Nature as spatial intent

“自然”，即是品牌理念也是场地与人的第一关系。 “予里山人”便是“野仙”的拆字：“野”郊外也；“仙”人在山上（说文解字）。体现了品牌方“人山合和，自然之道”的品牌理念。业主择址于郑州金融岛。不同于一般的封闭商场，店铺坐西朝东，开门面湖，最大限度与自然产生链接。场地东临景观平台，平台前是金融岛环湖游步道。天气好的时候，湖里会有成群结队嬉戏的天鹅。

▼渗透关系动图，Penetration among layers of space

The word ‘Nature’ is not only the brand concept, but also the foundamental relationship between the environment and its occupants. The name of Wilf Elf claims the vision of immortal beings in the suburbs, which embodies the brand concept of “harmony between people and the environment, the way of nature”. The project is situated on Jinrong Island in Zhengzhou. Distinct from the enclosed shopping malls, the store faces the lake at the east, maximizing the connection between the interior and nature. The site is adjacent to the vewing platform connected by the lakeside promenade. There will be flocks of swans frolicking in the lake on sunny days.

▼洞天沿湖平台，Lakeside Platform

▼沿湖平台的原石，Rocks on the Lakeside Platform

▼石龛墙，灵感源自洛阳龙门石窟，Stone niches, Inspired by Luoyang Longmen Grottoes

▼由石廊看向石室，Looking through the stone corridor to the stone chamber

▼石室展台与展架，booths and shelves in the stone chamber

▼原石制作的展台家具，Shelves standing on raw rocks

如何最大限度地将湖景收纳进店铺内部，如何在内部再造一个自然，便自然而然成了我们和业主共同的追求。

Maximizing the integration of the lake view into the interior of the store, as well as recreating a ‘natural environment’ inside the store, has automatically become the common pursuit of us and the clients.

▼石室内部看向湖景，The lakeside view looking from the stone chamber

▼石室，沿湖入口，The lakeside entrance of the stone chamber

二、自然而然地在湖畔造一个洞天。 Building a celestial grotto by the lake

面对湖光景色，营造一个怎样的自然？郭璞，对太湖边的林屋洞有如下描述 “今吴县南太湖中有包山，下有洞庭穴道，潜行水底，云无所不通，号为地脉”（《山海经》）。这洞与湖的关系，不就是深深刻在我们文化基因里的湖与人的自然的关系吗？造一个洞天，在洞天里面窥见湖景，焚香品茶，文化雅集……

How to conceive a natural environment in the face of a lake? Guo Pu’s description of the Linwu Cave by Taihu Lake – “In present-day Wuxian County, within Taihu Lake in the south lies Baoshan Mountain. Beneath it is the Dongting Grotto, which flows beneath the water, to connect all places without obstruction, and is called the ‘earth’s vein'” (from Shan Hai Jing) – reflects a bond between the cave and the lake that embodies the deep connection between lakes, humanity, and nature ingrained in our cultural DNA. To create a celestial grotto, where one can glimpse the scenery of the lake, Indulge in the fragrance of incense and tea, and hold cultural gatherings…

▼石室，Stone Chamber

▼石室内景，The interior of stone chamber

整个店铺的进深约20米，宽约13米。在面宽三分之一处，被三颗柱子一分为二。宽者9米*20米，做“石室”，成为主要的产品展示体验区、收银区。而狭长者约3*20米为“石廊”，作为公益文化活动的载体。业主定期会邀请一些艺术家和原创品牌，进行一些展览活动。

The entire shop has a depth of approximately 20 meters and a width of 13 meters. At one-third of the frontage width, it is divided into two parts by three columns. The wider section, measuring 9 meters by 20 meters, serves as the “Stone Chamber,” functioning as the main product display and experience area as well as the cashier. The narrower section, approximately 3 meters by 20 meters, is designated as the “Stone Corridor,” which serves as a platform for public cultural activities. The clients regularly invites artists and Boutique brands to hold exhibitions here.

▼从石廊望向湖面，Gazing at the lake from the Stone Corridor

▼石廊内景，The interior of the stone corridor

▼石廊尽端的休息处，Seating area at end of the Stone Corridor

得益于店铺两个界面的落地玻璃，洞天里的一些自然结构，片山残汀，可以从室内一直蔓延到室外。它们既化解了室内外场地的高差，也是对人群的自然邀约。将室内外自然而然地拉结在一起。石林中，随机地嵌入石灯，石灯中可放置体验香薰，形成天然的“露天香氛博物馆”。

Taking advantage of the two floor-to-ceiling curtain walls, some natural structures in the grotto, such as fragmentary mountains and residual shoals, extend from the interior to the exterior. They not only resolve the height difference between the indoor and the outdoor but also serve as an invitation to the pedestrians, seamlessly connecting the interior and the exterior. In the rock landscape, lamps are randomly embedded, in which the products can be placed, forming a natural “open-air fragrance museum” in the outdoor venue.

▼内部的地形一直延伸到室外，成为埠头的意向，

The interior terrain extends all the way to the exterior, forming the concept of ‘a pier’

▼由通道看向湖面，Gazing at the lake from the passageway across the rock landscape

▼外部造型灯具，也是放置香薰体验的展架，Customized lamps in the outdoor area, also serve as containers of scent products

▼石龛墙的与玻璃间的缝隙，The gap between the stone niches and the curtain wall

三、自然的材料 Natural Materials

自然的原石直接用于家具的制作是本次空间设计最大的挑战。为此业主带着我们一起驱车前往河北保定逐个考察石料场。所有的石头逐个挑选，直至陪着工人一起加工成想要的大小、形状和肌理。最终再通过现场的摆置，落位于他们的该有的的位置。

The most significant challenge in this spatial design was employing raw stones for furniture. We, along with the clients, were on a driving tour to visit stone quarries one by one in Baoding, Hebei. Every piece of rock was carefully selected, and we stayed with the workers throughout the processing to ensure they were shaped into the aimed size, form, and texture. Consequently, through on-site arrangement, each stone was positioned precisely where it belonged in the appropriate status.

▼石室内景，The interior of the stone chamber

▼各个材质的肌理在光线的作用下显得格外细腻，The textures of various materials exposed under the natural light in every detail

在这个过程中我们发现，自然有它“大概的模样”，我们要做的只是尊重他，然后把他摆放到恰当的位置即可，这个过程也是自然而然的。其他的材料我们也尽量选的“自然”：诸如铺地的莱姆石、墙面的宇晶石涂料、造型灯具镀钛不锈钢、深色木作、赭石色香云纱……

During this process, we realized that nature has its own appreance.What we should do is observing, respecting, an appropriate positioning, and the process itself is delivered in a natural method. Adhere to the principles of ‘staying with nature’, the flooring uses limestone, the wall is coated with Yujing stone paint, the sculptural lamps are made of titanium-plated stainless steel, dark woodwork is applied, and traditional Chinese silk fabric…

▼原石制作的水龙头造型，faucet ‘growing out of the raw stone’

▼石廊看向石室，光影变化，The stone chamber looking from the stone corridor, the changing of light and shadow

结语 Coclusion

这是一次对“自然的商业空间”的深度挖掘式设计。得益于一开始我们与业主方的深度共鸣。在这个店铺设计里既有商业展卖的基本功能（石室），也有担当展陈的艺术空间（石廊），更有融于环境的外场景观营造（平台与埠头）。而这三者又统一在“湖畔洞天”的意向之下。

This project has thoroughly explored the possibilities in “natural commercial space” . Benefiting from the profound resonance we shared with the client from the very beginning of this project. The store design incorporates both the basic functions of commercial store (the Stone Chamber), an artistic space for exhibitions (the Stone Corridor), and an outdoor landscape that integrates with the environment (platforms and piers). These three elements are unified under the vision of a “celestial cave by the lake.”

▼东——西轴测图，洞天、沿湖平台与湖景的关系，

East-west axonometric drawing, the relationships between the celestial grotto, the viewing platform, and the the lake