峯茶，深圳/室内

2022-01-04 14:37:27室内设计,餐饮娱乐,室内设计 , 现代风格

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项目位于深圳市宝安区海雅缤纷城，巨大的商业体量和抽屉式的零售边界，形成了一种相对单一的寄生、对比关系，与甲方的第一次接触就聆听到：“希望突破以往复制店的模式，做一间实验性的饮品空间”，我们被这一段英雄主义式的开场白深深吸引，回到现实的语境中，场地的室内面积约90平方米，室外约100平方米，户外场地的实施有着极大难度。不过正是这些难度，促进了整个故事的发生，激发了最终的想象，让我们将目光锁定在内与外的整体梳理，而非单一的空间设计。

The project is located in Haiya colorful city, Bao'an District, Shenzhen. The huge commercial volume and drawer like retail boundary form a relatively single parasitic and comparative relationship. On the first contact with Party A, we heard that "we hope to break through the previous model of copying stores and make an experimental beverage space". We were deeply attracted by this heroic opening speech and returned to the real context. The indoor area of the site is about 90 square meters, The outdoor area is about 100 square meters, and the implementation of outdoor sites is very difficult. However, it is these difficulties that promote the occurrence of the whole story, stimulate the final imagination, and let us focus on the overall combing of the inside and outside, rather than a single space design.

我们希望实现一个内外可以互望偶遇的景观式空间，“内”作为店铺功能的支撑点，“外”作为城市的公共舞台兼备景观性和部分展览功能。在这样一个快节奏的城市，思索如何找到“轻和慢”的感觉。

We hope to realize a landscape space where the inside and outside can look at each other and meet each other. The "inside" serves as the supporting point of the store function, and the "outside" serves as the public stage of the city with both landscape and some exhibition functions. In such a fast-paced city, think about how to find the feeling of "light and slow".

施工前的旧场地，整齐划一的摆放着花池与旗帜，将人车分流。但公共空间，显然并未给分流后的人带来多少停留的意愿，这是日常的中国式街道断面，安全但缺乏生机。方案一波三折，从甲方通过的舞台版方案，到因消防原因调整的城市家具方案，在规范和使用、造价与工期的诸多因素下，我们希望始终保持这种探索和思考。

In the old site before construction, flower beds and flags are neatly and uniformly placed to separate people and vehicles. However, the public space obviously does not bring much willingness to stay to the people after diversion. This is a daily Chinese street section, which is safe but lack of vitality. The scheme has twists and turns. From the stage version scheme approved by Party A to the urban furniture scheme adjusted for fire protection reasons, we hope to keep this exploration and thinking under many factors such as standardization and use, cost and construction period.

我们希望这组家具设计，可以充当体验美食、举办画展、城市丛林这几种功能的背景。装置由常见的方通构建而成，尺度的高地、大小变化，则是为了让人感受到自己与空间关系的微妙变化。叠加的线条形成一幅幅框景，我们希望把使用者，理解为这一道风景的主角，展示出使用者空间体验的画面感。

We hope that this group of furniture design can serve as a background for experiencing food, holding art exhibitions and urban jungle. The device is constructed from common square channels. The elevation and size change of the scale is to make people feel the subtle changes in their relationship with space. The superimposed lines form a frame scene. We hope to understand the user as the protagonist of this landscape and show the sense of picture of the user's spatial experience.

引发立面设计思考的关键，来自于爱德华·霍普的名作《夜鹰》，这幅城市现实主义风格的布面油彩，描述了一个通宵用餐的场景，三位顾客各自陷入自己的沉思当中，相互之间是紧邻的但却是遥远的，这当中对于人物的刻画是精准而传神的。因为产生了对于人的思考，我们于是希望这样一个店铺，把人的疏离感重新拉回到合适的尺度上，大玻璃这种洁净透亮的手法象征着技术的革命，反之我们希望这个立面碎片化，在进入这个“玄关立面”的过程，完成一次看与被看的体验。

The key to the thinking of facade design comes from edwardhope's famous work Nighthawk, which depicts an all night dining scene. The three customers are immersed in their own meditation. They are close to each other but far away from each other. The characterization of the characters is accurate and vivid. Because of the thinking about people, we hope that such a shop will pull people's sense of alienation back to the appropriate scale. The clean and transparent technique of large glass symbolizes the technological revolution. On the contrary, we hope that this facade will be fragmented and complete an experience of seeing and being seen in the process of entering this "porch Facade".

室内是由立面经过简化和提纯向内而生的一个过程，所产生的细部，除了功能作用本身的需求，主要是希望人感觉舒服。白色为主的将空间的结构关系交代清楚，木饰面点缀在必要的衍生品和座椅空间除，灰度则恰当的点缀在服务功能的前台和座椅空间上。

The interior is a process from the facade to the interior through simplification and purification. In addition to the requirements of the function itself, the details produced are mainly to make people feel comfortable. The white mainly explains the structural relationship of the space clearly. The wood veneer is dotted on the necessary derivatives and seat space, and the gray is appropriately dotted on the front desk and seat space of the service function.