哈拉帕住宅，墨西哥 / Lopez Gonzalez Studio

2026-05-21 16:29:14建筑设计住宅居住建筑现代风格

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这座住宅为一个不断成长的家庭而设想，提出了一种围绕其所处景观展开持续对话的居住方式。深色外立面赋予建筑坚实厚重的气质，同时也唤起一种仿佛居所被凿刻于岩体内部的联想。一些形式上的处理进一步强化了这种暗示，例如体量之间的切割关系令人联想到岩石裂缝的形态，而窗洞则以一种克制而均衡的节奏零星散布于墙体之中。此外，室内的行进体验也构成了一场光与影的游戏：路径时而开启、时而闭合，时而收紧、时而放宽，并最终流向既能保证通风又兼具私密性的开放空间。

▼住宅轴测图，House isometric

Envisioned for a growing family, the house proposes a form of dwelling organized around a continuous dialogue with the landscape in which it is located. The dark exterior grants it a solid stature, while simultaneously evoking the possibility of a home carved in the interior of a rock formation. Certain formal gestures complement this suggestion, like the sectioning of the house’s volumes that hints at the form of a crack, or the windows that appear sporadically, yet with a balanced rhythm, in different parts of the wall. Furthermore, the tour inside proposes a game of changing lights and shadows, with paths that open and close, tighten and widen, and flow into open spaces that secure both fresh air and privacy.

▼住宅概览，House overview

▼黑色体量外观，Black exterior volume

▼东立面，East facade

露台与窗户使住宅得以与场地周围茂密的植被展开不断变化的对话。在这座住宅的生态系统中，植物成为真正的主角，建立起一种类似苔藓或榕属植物与岩石之间所形成的共生关系。室内，不同尺度与形状的窗洞成为框取自然景观的开口，引导人们凝视绿色，并为所有生活空间引入自然光。与此同时，这些窗洞也模糊了室内与室外之间的边界，营造出一种空间向外延展的感受。而在室外，当人们穿越那些如同树干深处隐藏宝藏般包围并遮蔽建筑的植物后，窗户则会偶然透露出生活的片段——哪怕只是关于日常发生之事的一些暗示。夜幕降临时，黑色的住宅隐没于黑暗之中，留下的只有点点光隙，仿佛一系列日常生活场景的剪影。

▼住宅模型，House model

▼住宅模型近景，House model close view

Terraces and windows allow for an evolving conversation with the ample vegetation that surrounds the grounds. In the house’s ecosystem, plants become protagonists, establishing a symbiotic relationship similar to the one mutually agreed upon between the moss or the amate tree with the rock. Inside, the differently sized and shaped windows become openings that frame natural elements, invite the viewer to contemplate the green color, and shed light to all life spaces. At the same time, these windows confuse the threshold that separates interior and exterior, generating an expanding sensation. Outside, once that the viewer overcomes the plants that surround and hide the building like a lost treasure trove at the bottom of a trunk, windows offer fleeting glimpses of life, if only a bunch of suggestions of what happens there every day. At night, the black house disappears into the darkness. What remains are small gaps of light revealing a series of quotidian pictures.

▼露台，Terrace

▼庭院，Courtyard

▼庭院细部，Courtyard detail

如果从外部观看，最鲜明的是岩石般的墙体色调与植被的绿色，那么在室内，木材则成为最具存在感的元素。它出现在梁架、书架、柜体以及承载日常生活的家具之中：椅子、桌子、床铺与门扇。木材不仅为空间带来温暖，也进一步建立起建筑与景观之间的联系。松木再次提示人们：真正能够支撑持久居所的关键，应当来自土地本身。浅色木材与外部的黑色、植被的绿色以及窗框的红色，共同构成了最为显著的色彩体系。而其中低调出现的红色，则如花朵般形成鲜明对比，试图寻找一种能够与周围环境相互融合的平衡色彩关系。

If, seen from the outside, the walls’ rocky tone and the foliage’s green stand out, inside it is wood which acquires an important character. It shows up in beams, in bookshelves, in closets, or in the furniture where the home’s day to day will develop: the chair, the table, the bed, the door. Besides warming up the place, the use of wood establishes yet another conversation with the landscape. Pine tree suggests once more that it is the land who should offer the key to a durable dwelling anchored in the territory. Its lightened tone joins the exterior’s black, the vegetation’s green, and the frames’ red as the most visible colors. The discrete presence of the last of them, the red, offers a striking contrast not unlike that of a flower, in an attempt to find a balanced color palette capable of melting with its surroundings.

▼起居室，Living room

▼餐厅，Dining room

▼过道与阅读区，Corridor and reading area

▼卧室，Bedroom

这处居所提出了一种建立于场地特征、环境条件与地域资源基础之上的居住观念。在这里，建筑同样被理解为一种允许时间持续作用于建成空间的存在：植物会继续生长，墙体会逐渐潮湿并覆盖苔藓，建筑体量也将越来越深地融入其所处的景观之中。这构成了一种关于建造的哲学：作品并不会在住宅开始被使用的那一刻结束，相反，它恰恰从那里开始。

The place proposes an idea of dwelling founded upon the characteristics, conditions, and resources of the territory. Similarly, architecture is thought of here in such a way that it can allow for time to do its work over the constructed area: plants will grow, walls will become humid and mossy, the volume will identify more and more with its landscape. It lays down a philosophy of construction in which the work does not conclude (it only begins) at the point in which the house begins to live.

▼室内外空间渗透，Interior and exterior continuity