苏格兰曼纳尔之家，英国 / Denizen Works

2025-09-26 16:35:04建筑设计住宅居住建筑现代风格

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曼纳尔之家是一座全新的四居室家庭住宅，位于苏格兰西海岸的提里岛东南端的高处，朝东眺望着跨越马尔岛的大陆。项目延续了同岛上House No.7住宅的雕塑化表达。

Mannal House is a new 4-bedroom family home on the Isle of Tiree on the west coast of Scotland. Building on the sculptural expression of House No. 7 on the same island, Mannal House is a new home that sits high above the sea on the south-east tip of the island, looking east towards the mainland over Mull.

▼项目概览，overall view

项目基地位于Mannal镇主住宅的作业场地上，前业主曾将主宅与本地块作为两个独立地块出售。场地内散布着多处农用建筑、遗迹以及一座畜棚，新的曼纳尔之家就嵌入在这些遗迹之中。

The site is on the working yard of the main house of the township of Mannal where the previous owner sold the dwelling and our site as two separate lots. The site is therefore peppered with various farm buildings, ruins and a byre in which our new house sits.

▼项目与环境，project and environment

这些农业遗存决定了住宅的整体组织形式，尤其是山墙的牛棚遗迹。最终的住宅被划分为两翼并嵌入重建的石墙中，而石墙也构成了建筑主要的表达特征。整体而言，这是一座两山墙的房子：从入口接近时，访客会通过石砌山墙进入一个庭院花园。在此首先映入眼帘的，是Hynish及Alan Stevenson设计的一排灯塔看守人小屋的框景。

These agricultural relics drove the formal organisation of the house and in particular the ruins of the gabled byre. The resultant house, split into two wings, nestles into the rebuilt stone walls which drive the main architectural expression of the building. Essentially a house of two gables, on approach, you enter through the stone gable into a courtyard garden from where you are presented with a framed view of Hynish and a row of lighthouse cottages designed by Alan Stevenson.

▼建筑两翼，project’s two wings

▼石砌山墙，the stone gable

▼墙体的交接，the junction of different walls

▼石墙细部，stone wall details

从庭院进入室内，动线逐渐推进至高潮——在这里，眼前出现的是以三扇固定玻璃板来呈现的石砌山墙“负形”。为了营造这种表达，设计团队复制了牛棚的体量，将其滑移到原有围墙之外并抬升，从而生成“负山墙”形态。不同于House No.7住宅那种对海景的精心框取，该项目采取了更为直接的方式以回应业主的偏好，主要起居空间被推向海岸，营造出如同立于渡轮船首的临海体验。

From this courtyard you move through the house to the climax of the procession where you are faced with the negative of the stone gable in three fixed panels of glass. To create this expression, we copied the volume of the byre, slid it out beyond the old boundary wall and lifted it up to create the negative gable form. Unlike House No.7 where views to the sea were carefully framed, the solution here is more overt, reflecting our clients’ tastes, with the main living space bringing you close to the sea creating a feeling like being on the prow of a ferry.

▼玻璃板山墙，the glass gable

▼独特的临海体验，a unique coastal experience

主体空间以几近宗教般的尺度，容纳了厨房与辅助空间、餐桌以及主要起居室。在其上方，是主卧套间，包括带卫浴的卧室、更衣室和书房。

This main volume, almost religious in scale, contains a kitchen and utility space, dining table and the main sitting room. Overhead is the master suite with ensuite bathroom, dressing room and study.

▼主要起居室，the main sitting room

与主体一翼垂直相接的是卧室一翼，内含三间卧室和两间浴室，在这里，东向窗景迎接晨曦，同时也能眺望大海。这些房间的天花板略带弧度，与外部低斜坡屋顶形成了细微的对比。

Sitting at right angles to this main wing is the bedroom wing that contains three bedrooms and two bathrooms with views east drinking in the morning sun and views out to sea. The ceilings of these spaces are subtly curved creating a contrast between the low-pitched roof outside.

▼卧室，the bedroom

▼卧室细部，the bedroom details

▼当地材料，local materials

建筑采用定制的木结构SIPs套件建造，具备高度保温性能，采暖由空气源热泵提供。外部立面取材自提里岛在地材料与形式：石墙、木板覆面、麻石抹灰以及沥青（板材与波纹板形式），共同构成了独特的地域性表达。

Constructed from a bespoke timber SIPs kit, the house is highly insulated with heating provided through an air source heat pump. Externally, the house is clad from the materials and forms of Tiree; stone walls, timber cladding, pebbledash render and bitumen in both sheet and corrugated forms.

▼项目夜景，night view