ADAL大阪创意空间，日本 / REIICHI IKEDA DESIGN

2025-10-16 15:56:09室内设计,办公会议,室内设计 , 现代风格

项目标签

项目名称

项目地址

ADAL CREATIVE PLACE OSAKA是一家总部位于福冈、专门生产与销售各类商用家具的制造商在大阪设立的分公司及展示厅。

ADAL CREATIVE PLACE OSAKA, the Osaka branch office and showroom of a furniture manufacturer with its headquarters in Fukuoka that produces and sells all types of furniture for contract use.

▼项目概览，Overall view

项目位于大阪商务核心区——大阪本町。这栋依照斜线高度限制设计的阶梯状建筑，保留了已有40年历史的建筑特征与潜在价值。原有的瓷砖外立面与连续排列的小窗，再加上历经岁月积淀的沉静气质，共同定义了建筑独特而鲜明的轮廓。

It is located in the heart of Osaka’s business district, Osaka-Honmachi. The stepped building, designed in accordance with slope restrictions, retains the character and potential of a 40-year-old structure. Its original tiles and continuous rows of small windows, combined with the serene presence cultivated over decades, distinctly define the building’s unique silhouette.

▼入口大厅，Entrance hall

▼入口大厅近景，Entrance hall close view

根据业主的要求，办公室不仅需作为日常办公场所使用，还应兼具“家具现场展示间（Live Furniture Showroom）”的功能。为实现这一双重目标，设计团队在空间布局与构成上进行了细致规划，使家具的视觉呈现更加突出，从而营造出一个日常办公与现场展示能够自然共存的空间环境。

As requested by the client, the office was designed to serve not only as a typical workspace but also as a Live Furniture Showroom. To fulfill this dual purpose, the layout and spatial design were carefully planned to enhance the visual presentation of the products, creating an environment where both daily work and live product showcases can seamlessly coexist.

▼办公空间，Office space

▼办公空间近景，Office space close view

原有室内空间的特征是连续排列的小窗，但由于天花高度较低，并覆以岩面板材，梁体形态外露，使空间呈现出一种粗粝而富有表现力的特征，却难以称作舒适的工作环境。

The existing interior space was characterized by continuous rows of small windows. However, it could not be considered a comfortable environment due to the low ceiling finished with rock-surfaced panels, which exposed the underlying beam shapes and contributed to the space’s raw and expressive character.

▼办公区过道，Office area corridor

项目伊始，设计团队拆除了所有原有天花与现场遗留构件，从一片干净、开敞的结构空间出发，重新规划布局。

At the beginning of the project, we removed all existing ceilings and pre-existing on-site elements, and began planning the layout starting from a clean, open skeleton space.

▼会议室，Meeting room

设计概念“THE SHOW（見てってや / Mitetteya）”，灵感来自大阪地区一种温暖而亲切的表达，意为“进来看看”。它传递出轻松的待客之道与开放的氛围，邀请来访者如同被亲自迎接般，自由地探索与体验空间。设计聚焦于大阪特有的“距离感”——一种既亲近又保留分寸的社交特质。基于这一理念，空间被视为由“人”和“家具”共同构成的整体。设计以“可见的交流场景”作为核心轴线，从家具出发，描绘人与物之间的互动风景。

The concept, “THE SHOW (Mitetteya)”, is inspired by a warm and inviting Japanese expression in Osaka often used to encourage people to stop by and have a look. It conveys a sense of casual hospitality and openness, inviting visitors to freely explore and experience the space as if being personally welcomed.We focused on the unique sense of distance found only in Osaka, this design is based on The thought that the space consist of not only people but also furniture, It was consutructed as one central design axis that is designing the scenery of visible communication scene starting from furniture to.

▼书架，Bookshelf

在入口大厅中，原本作为电梯厅使用的矩形空间被延展成弧形动线，模糊的空间界限让不同功能区彼此渗透、自然衔接。

In entrance hall, extending in an arc the rectangle space which was used as an elevator hall originally, A lack of clear boundaries has led to one space intruding into the next.

▼办公沙发，Office sofa

同时，通过玻璃墙面的视觉穿透，引导视线穿越空间，营造出如“以〇〇为框的取景”般的场景，激发观者的兴趣与交流欲望。

Also, by viewing through a glass wall encourages to promote scene that spark naturally draw human interest like “Framing views through 〇〇”.

▼悬吊薄板，Suspended thin plate

▼灯具细部，Lamps details

在办公区，天花结构上仅在部分位置点缀了薄板作为点状装饰。这一设计意图在于引导人们在空间转换时微妙的心理变化，同时在开放的空间中营造出一种“场所感”——部分通过悬吊元素所带来的柔和与安定感实现。

In the office area, thin plates are used as dotted accents on the skeleton ceiling in a few selected locations.This design aims to subtly influence the shift in mindset as one moves from one domain to another domain, while also evoking a sense of “place” within the open space—partly through the soft, calming effect created by the suspended ceiling elements.

▼材质细部，Material detail