Sono住宅，加拿大 / AtelierCarle

2026-05-27 16:32:20建筑设计住宅居住建筑现代风格

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这座第二居所通过有机的组织方式形成了一个统一的整体构成，朝向北侧采光，并将广阔全景中的景观纳入场地之中。三道长度延展、高度各异的混凝土墙体，以与景观相呼应的尺度构成了通往建筑的路径：它们回应着这一如今已被建筑化的场地所具有的恒久感，并将其锚定于时间之中。墙体之间一道狭窄的缝隙揭示出入口。穿越这一界限之后，空间通过灵活的布局与木结构组织起主要生活区域，同时也暗示着其在更长远时间维度中的适应能力。

This secondary residence organically articulates a unified composition, oriented toward northern light, framing landscapes found within a vast panorama that opens onto the site. Three long concrete walls of varying heights, in scale with the landscape, form the approach to the building: they resonate with the permanence of the now-architectured site and anchor it in time. A narrow gap between the walls reveals the entrance. Beyond this threshold, the spaces organize the living areas according to a flexible layout and timber structure, thereby signaling their capacity to adapt over a more distant temporal horizon.

▼住宅外观，facade of the residence

▼长度延展、高度各异的混凝土墙体，concrete walls of varying heights

▼将广阔全景中的景观纳入场地之中，framing landscapes found within a vast panorama that opens onto the site

业主是一对希望共同拥有同一处第二居所的朋友，他们有一个隐含的要求：共享空间，但并不需要在所有层面上“共同生活”。因此，建筑体量之间的组织形成了一系列蜿蜒展开的空间序列，整体在逐渐行进中被慢慢揭示，从而确保一定程度上的视觉私密性以及声环境的分隔。当代生活的一个象征是：厨房成为完全向景观敞开的空间——它既是两位业主与宾客聚集交流的场所，也在隐喻层面上，与周围自然环境建立联系。

The clients, a couple of friends wishing to share the same secondary residence, had an implicit directive: to share a space without being obliged to “live together” in every respect. The articulation of the architectural volumes thus creates a meandering sequence of spaces that gradually reveal the whole, ensuring a certain visual intimacy and a fragmentation of the acoustic environment. Sign of the times, the kitchen is the space that opens completely onto the landscape: a gathering place, both for the couple and their guests, and metaphorically, with the surrounding natural environment.

▼形成了一系列蜿蜒展开的空间序列，creates a meandering sequence of spaces that gradually reveal the whole

▼确保一定程度上的视觉私密性以及声环境的分隔，ensuring a certain visual intimacy and a fragmentation of the acoustic environment

▼餐厅空间，dining hall

因此，该项目的概念框架并非建立在地域性的风格或身份化建筑语言之上。它并不预设具体的使用方式，而是试图在身体对于场地景观与真实环境的感知，以及“框定”时间变化中体验的空间感知之间建立联系。

The conceptual framework of the project is therefore not based on stylistic or identity-related architectural references of the region. Rather than prescribing specific uses, it weaves connections between the body’s in situ perception of the landscape and the real, and that of the space that “frames” experiences across the variations of time.

▼卧室，bedroom

▼浴室，bathroom

▼住宅边界，residence interface

这也体现了事务所所倡导的一种实践方式：优先关注空间的现象学特质，而非由经过精密计算的功能组件拼接所决定。空间顺应场地自然坡度，以层层退台的方式展开。每个房间中所显现出的多样视角，以及间接光线不断变化的质感，共同构成了空间的触觉性特征；这些特征，如同抵达时那面与景观相接的大尺度抽象墙体一样，皆源于事务所所倡导的感性探索。最终形成的是一种回应真实世界异质性的建筑语言，而非建立在某种往往带有排他性的原则之上的僵化身份表达。

This refers to the intention to promote a practice that prioritizes the phenomenological qualities of space, rather than being determined by a calculated assembly of programmatic components. The spaces unfold in terraces following the natural slope of the site. The varied viewpoints revealed within each room, together with the shifting qualities of the indirect light, constitute the haptic characteristics which, like the large abstract wall abutting the landscape upon arrival, are the result of the sensitive exploration advocated by the firm. The outcome is an architectural language that responds to the heterogeneity of the real, rather than constructing a rigid identity derived from often exclusive precepts.

▼傍晚灯光下的住宅，the house under lighting at dusk