Bispo别墅博物馆，葡萄牙 / spaceworkers®

2026-05-11 16:51:11建筑设计展览展示文化建筑现代风格

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保留场所的身份特征以及建筑本身的属性，成为此次介入的出发点。因此，我们提出在既有建筑基础上增建一个新的体量，其形态仿佛是对相邻仓体形式的延续，以呼应城市与形态上的连续性。同时，这一新增部分又具有自身明确的识别性，既作为整个建筑群的主入口，也通过清晰表达属于当代的介入方式，在保护并强化原有建筑形象的同时，留下自身的时代印记。

Preserving the identity of the place and the characteristics of the building in question gave us the motto for the intervention. Therefore, we proposed the addition of a new volume to the existing construction, as if replicating the shape of the contiguous ships, appealing to an idea of urban and formal continuity, but at the same time, being able to call itself an identity of its own capable of constituting itself as the main entrance of the set and assuming its intervention in time, valuing and safeguarding the image of the existing building.

▼鸟瞰，aerial view

▼鸟瞰，aerial views

▼露台近景，closer view of the terrace

▼俯瞰露台部分，overlooking the terrace part

新体量延伸至场地南侧边界，容纳技术、行政与公共服务等功能，从而释放出既有“仓库”建筑内部完整的核心空间，用于布置展览区域，并使其成为此次改造中最重要的功能部分。

The new volume extends to the southern limit of the lot, housing the technical, administrative, and social functions, thus freeing the entire inner core of the existing “warehouses” to receive the exhibition area, thus assuming the most important function of this intervention.

▼新体量延伸至场地南侧边界，

the new volume extends to the southern limit of the lot

▼新增部分又具有自身明确的识别性，

the newly added part also has its own distinct identification characteristics

▼鸟瞰，aerial view

▼顶视图，top view

▼鸟瞰，aerial views

▼色彩鲜明、体量感极强的扩建部分，

the expanded section with bright colors and a strong sense of volume

原有两座既存仓体总覆盖面积约680平方米，被统一处理为更中性的灰色，以实现整体形态上的抽象化与统一感。在室内，这些空间进一步被涂覆为黑色，以突出内部承载展览的动态形态——一种类似有机痕迹般的空间介入，它形成不同主题的展览“口袋”，并以清晰直观的方式组织参观动线。

▼分析图，analysis diagram

The two previously existing naves, with about 680m2 of covered area, take on a more neutral color, gray, to homogenize them and ensure their formal abstraction. Inside, this same nave is covered in black, to highlight the dynamic form that receives the exhibition, a kind of organic footprint, which creates thematic exhibition bags and organizes the exhibition route clearly and intuitively.

▼新增体量外观，exterior view of the new part

▼立面，facade

▼新建体量采用红色颜料进行着色，

the new structure is colored with red pigment

▼原仓库体量采用灰色外观，

the original warehouse’s volume has a grey exterior

▼新旧对比，comparison of the old and the new

▼入口悬挑部分，

the overhanging part of the entrance

▼远景，distant view

与这种试图将既有建筑进行色彩抽象化的处理相对，新建体量则以完全裸露的混凝土呈现，并采用红色颜料进行着色，使其在城市与俯瞰视角中成为一个鲜明的地标，以不可忽视的方式标记场所。这一既有建筑“终点”般的形式，以一种克制而细腻的方式重新演绎原有体量，在虚与实之间取得平衡，并借此强化入口、公共停留空间以及与周围景观之间的关系层级。

In contrast to this attempt at chromatic abstraction of the existing, the new volume appears, totally in apparent concrete, for which we propose a red pigmentation, assuming itself as a reference point in the urban and aerial landscape indelibly marking the territory. This formal “end” of the existing, recreates the form of this, in a delicate way, in a balance between tull and empty, which hierarchizes entrances, living spaces, and relationship with the surrounding landscape.

▼新增部分室内，

interior of the extension volume

▼报告厅，lecture hall

▼细部，details

▼全红的室内空间，

a completely red interior space

▼新旧体量连接处，

connection part of the old and the new

▼楼梯，staircase

▼楼梯，steps

▼零售空间，retail space

▼零售空间细部，details of the retail space

▼卫生间，toilets

▼室内外界面，interface of exterior and interior

▼新旧衔接部分，

the transitional section between the old and the new

▼展览空间，exhibition hall

▼展览空间，exhibition space

▼展览空间细部，details of the exhibition space

最终形成的博物馆，给人一种仿佛始终存在于此的感觉：对于记得旧仓库的老人而言如此；对于从小记得“红色博物馆”的年轻一代而言亦然。它已经成为当地集体记忆中的一部分。

The result is a museum that gives the idea that it has always existed there, both for the older ones who remember the bams and for the younger ones who remember the red museum, which is part of the collective image of the population.

▼夜景，night views